No. 6 (2025): Ukrainian Art Discourse

Статті

• SCULPTURE IN THE SYSTEM OF DEVELOPING SPATIAL THINKING OF INTERIOR DESIGNERS

  Denys Adamovych

  8-11

  • PDF (Українська)

• COMPREHENSIVE RESEARCH ON A GROUP OF IRANIAN ARTISTIC METAL OBJECTS FROM THE 13TH–14TH CENTURIES FROM THE KHANENKO MUSEUM COLLECTION

  Svitlana Biskulova, Hanna Rudyk

  12-27

  • PDF (Українська)

• INTERDISCIPLINARY APPROACH TO THE STUDY OF ART HISTORY: SYNERGY OF PEDAGOGY AND SYCHOLOGY

  Nataliia Bovsunivska, Oksana Havrosh, Maryna Tkachenko

  28-34

  • PDF (Українська)

• PATHWAYS OF RAFAEL VOLYNSKYI’S FORMATION IN THE CONTEXT OF THE KHARKIV ARTISTIC MILIEU OF THE 20TH CENTURY

  Viktoriia Bohdanova-Naidenko, Liudmyla Hudziienko

  35-43

  • PDF (Українська)

• VISUAL LANGUAGE OF POSTMODERNISM IN ETTORE SOTTSASS’S FURNITURE DESIGN

  Bohdan Bondarenko, Kostiantyn Bondarenko

  44-51

  • PDF (Українська)

• AUTHOR’S ILLUSTRATION AS A MEANS OF COMMUNICATION IN MODERN PACKAGING DESIGN

  Olha Hanotska

  52-63

  • PDF (Українська)

• PERSONAL BRAND AND PORTFOLIO IN THE PROFESSIONAL ACTIVITY OF A DESIGNER

  Oksana Hetman

  64-68

  • PDF (Українська)

• FEATURES OF FURNITURE DESIGN IN THE STYLE OF SCANDINAVIAN MINIMALISM AND LOFT

  Igor Holovachuk, Ivanna Myroshnychenko, Yaroslav Lelyk

  69-77

  • PDF (Українська)

• THE IMAGE OF THE HARLEQUIN, CARNIVALESQUE, AND PLAY AS A MEANS OF OVERCOMING ALIENATION IN THE URBAN CONTEXT OF CONTEMPORARY ART

  Myroslav Duzinkevych

  78-89

  • PDF (Українська)

• SPATIAL-PLASTIC FORMS OF INSTALLATION ART: REIMAGINING FOLK TRADITIONS IN CONTEMPORARY ARTISTIC PRACTICES

  Alla Diachenko

  90-97

  • PDF (Українська)

• THE CREATIVE JOURNEY OF WOODCARVER SISSOY ZOTOVICH SHALMATOV

  Kateryna Eniushina, Mykola Yakymechko

  98-103

  • PDF (Українська)

• ARTIFICIAL INTELLIGENCE IN THE CREATION OF GRAPHIC PROJECTS IN MODERN DESIGN

  Anna Kapelka

  104-110

  • PDF (Українська)

• REDESIGNING HISTORICAL MILITARY SYMBOLS AS A MEANS OF SHAPING NATIONAL MILITARY IDENTITY

  Viktor Karpov, Yuri Volgin, Alina Marchenko

  111-119

  • PDF (Українська)

• TYPOGRAPHY IN STYLISTIC CATEGORIES OF GRAPHIC DESIGN

  Ihor Коstenko

  120-126

  • PDF (Українська)

• MODERN ARTISTIC COLLAGE TECHNIQUES IN THE ART EDUCATION OF FUTURE ARCHITECTS

  Tetiana Krasna, Liliana Vezhbovska, Natalia Pliss

  127-134

  • PDF (Українська)

• CURRENT TRENDS IN FORMING PUBLIC INTERIOR SPACE THROUGH BIOPHILIC DESIGN

  Svitlana Kryvuts, Victoria Bondarenko

  135-143

  • PDF (Українська)

• THE ORIGINALITY OF THE ARTISTIC STRUCTURE AND THEMATIC PRIORITIES OF THE REPRESENTATIVES OF THE KYIV SCHOOL OF LANDSCAPE PAINTING

  Iryna Litichevska

  144-156

  • PDF (Українська)

• MYTHOLOGICAL IMAGES IN GRAPHIC DESIGN WORKS

  Olga Mykhailiuk, Kateryna Pysarenko, Yevhen Gula, Yuriu Syvyryn

  157-164

  • PDF (Українська)

• MORPHOLOGICAL DETERMINISM IN PRODUCT DESIGN: FROM CORPOREALITY TO TRANSFORMATION

  Inna Pedan

  165-173

  • PDF (Українська)

• ARTISTIC PROJECT DESIGN OF ELECTRONIC BOOK PUBLICATIONS: RELEVANCE AND DEVELOPMENT PROSPECTS

  Olena Polishchuk, Daryna Pohosian

  174-182

  • PDF (Українська)

• BLACKSMITHING ART AS A COMPONENT OF ART THERAPY

  Oleksii Rohotchenko, Svitlana Rohotchenko

  183-189

  • PDF (Українська)

• CURRENT TRENDS IN THE DESIGN OF VISUAL IDENTITY FOR HOTELS IN MOUNTAIN AREAS

  Nataliia Skliarenko, Liubava Kanafotska, Yuliia Bondarchuk

  190-198

  • PDF (Українська)

• ARTISTIC FRONT IN SUMY REGION DURING THE RUSSIAN AGRESSION

  Oksana Sokoluyk

  199-208

  • PDF (Українська)

• EUROPEAN EXPERIENCE IN USING VIRTUAL REALITY TO AID IN CONSERVATION AND RESTORATION OF CULTURAL HERITAGE ITEMS

  Olha Daniilivna Sosik

  209-214

  • PDF

• SPECIFICITIES OF USING 3D MODELING IN THE PROCESS OF CREATING VISUAL MATERIALS IN ADVERTISING PRODUCTS

  Maxim Strelchuk

  215-222

  • PDF (Українська)

• COMPATIBILITY TEST: UKRAINIAN CONCEPTUAL PHOTOGRAPHY OF THE LATE 1980S – EARLY 1990S IN THE MIRROR OF THE COUNTERFACTUAL APPROACH

  Volodymyr Tarasov

  223-232

  • PDF (Українська)

• THE CREATIVITY OF THE UKRAINIAN ARTIST ANATOLY KRYVOLAP AS A SOCIO-CULTURAL PHENOMENON

  Kostiantyn Rohotchenko

  234-243

  • PDF (Українська)

• ORIENTAL MOTIVES IN THE CREATIVE WORK OF VALENTINA AND MYKOLA TREGUBOVYCH AT THE KOROSTEN PORCELAIN FACTORY IN THE MID-20TH – EARLY 21ST CENTURY

  Olga Shkolna, Andriy Kotlyarchuk

  244-253

  • PDF (Українська)

• ACTIVITIES OF TEACHERS OF THE DEPARTMENT OF ARTISTIC METAL OF VYZHNYTSKY COLLEGE NAMED AFTER VASYL SHKRIBLYAK AT THE BEGINNING OF THE 21ST CENTURY

  Rostyslav Shmahalo

  254-260

  • PDF (Українська)