NOCTURNE AS A WORK OF FINE ART: CONCEPTUAL TRANSFORMATION

Abstract

The article examines the relationship between different types of art, in the process of which their «languages» (expressive and expressive means, structural elements) interact. The result of such interaction is a work of art that is realized in their polymedia or intermedia field and demonstrates conceptual convergence. Such phenomena in the artistic space as: polymedia, synesthesia, convergence are possible due to the peculiarities of the artists thinking and creativity and require a transformation of the viewer’s consciousness. The analysis of the above phenomena occurring in art made it possible to highlight in the article and emphasize some important aspects of the artistic creativity of masters of the arts, to reveal important ways and means of influencing their works on the modern viewer. The artistic language of the art is expressive, associative and visually constant; it materializes and embodies, fixes the moment with its means (color, tone, spot, silhouette, form, etc.) and materials (paints, clay, graphic materials) – something that in other types of art (for example, music, performative art) is fleeting, it is difficult to stop it. However, borrowing from other types of art certain, corresponding in essence, concepts, deepens and brings to a new higher level the artistic imagery of the work. Nocturne, which is a musical genre, is considered in the article as a term to designate a work of fine art, its corresponding state and mood. An important point is the interpretation of nocturne by artists of fine art, their creation of the corresponding artistic and figurative sound in their own works, thanks to the peculiarities of their own artistic and figurative language, their own artistic creativity. It is also important to consider the transformation of nocturne as a work of artistic who first introduced it into use in fine art to its later application in the work of contemporary artists