No. 3 (2026): Ukrainian Art Discourse

Статті

• IDENTITY OF NATIONAL PUBLISHER OF CHILDREN’S LITERATURE “VESELKA [RAINBOW]”: BRAND AND REBRANDING

  Natalia Pshinka , Dmytro Tkachenko

  12-23

  • PDF (Українська)

• PRACTICAL EXERCISES IN THE ARTISTIC-APPLIED GRAPHICS AS A TOOL FOR OVERCOMING COGNITIVE DISSONANCE AMONG STUDENTS OF SPECIALITY 023 “FINE ARTS”

  Inna Сherkesova

  24-30

  • PDF (Українська)

• THE PHENOMENON OF DIGITAL TACTILITY IN CONTEMPORARY GRAPHIC DESIGN

  Valeriy Atlanov , Yurii Korniukov

  31-39

  • PDF (Українська)

• COMPUTER TECHNOLOGIES IN JEWELRY DESIGN: DIGITAL TRANSFORMATION OF FORM FROM SKETCH TO ADAPTIVE PROTOTYPE

  Daria Boiko , Sergey Vergunov , Nina Ivanova , Alla Radchenko, Andrey Zinchenko

  40-46

  • PDF (Українська)

• ACADEMIC ART EDUCATION AS A FOUNDATION OF VISUAL CULTURE AND NATIONAL IDENTITY: THE UKRAINIAN EXPERIENCE IN FINE ART AND DESIGN

  Serhii Brylov , Mykolai Kochubei , Leonid Sotnyk

  47-51

  • PDF (Українська)

• CGI SPACE IN THE DESIGN OF CONTEMPORARY MUSIC COVERS: CONCEPTUAL PRINCIPLES OF VISUAL ORGANIZATION

  Vladyslava Vakhovych , Nataliia Skliarenko

  52-60

  • PDF (Українська)

• TRADITIONAL FORMS OF CRIMEAN TATAR CERAMIC VESSELS FOR MILK AND DAIRY PRODUCTS AND THEIR DECORATION

  Oleksiy Vlasov

  61-68

  • PDF (Українська)

• ARTISTIC AND CURATORIAL PRACTICE OF TARAS TABAKA IN THE CONTEXT OF TRANSFORMATIONS OF TRANSCARPATHIAN ART IN THE LATE 20TH – EARLY 21ST CENTURY

  Oksana Havrosh , Olesya Tymchiy

  69-78

  • PDF (Українська)

• METHODS OF 3D MODELING OF GRAPHIC IMAGES ON PRODUCTS OF COMPLEX SHAPE

  Igor Holovachuk , Ivanna Myroshnychenko , Viacheslav Shmelov , Ihor Burchak

  79-86

  • PDF (Українська)

• TRADITIONS AND INNOVATIONS OF RESTORATION CENTERS IN UKRAINE IN THE CONTEXT OF PRESERVING REGIONAL CULTURAL HERITAGE

  Fedir Gontsa , Ivan Fizer

  87-95

  • PDF (Українська)

• NOCTURNE AS A WORK OF FINE ART: CONCEPTUAL TRANSFORMATION

  Liubov Husyeva , Olha Punhina , Tetiana Stritievych

  96-102

  • PDF (Українська)

• ARTISTIC AND TECHNOLOGICAL CHARACTERISTICS OF CERAMICS FROM THE COLLECTION OF THE “SAMARKAND” STATE MUSEUMRESERVE

  Nataliia Dmytrenko

  103-112

  • PDF (Українська)

• CONTEMPORARY METHODS OF RESTORATION OF WOODEN POLYCHROME SCULPTURE IN UKRAINE

  Kateryna Eniushina

  113-117

  • PDF (Українська)

• NATIONAL COLORS IN ADVERTISING LAYOUTS AS AN ELEMENT OF VISUAL RESISTANCE AND NATIONAL SELF-IDENTIFICATION

  Yuriy Yefimov , Natalia Syniavska , Boris Rybinskyi

  118-123

  • PDF (Українська)

• VITALIY BUYHASHEV AS AN INNOVATOR OF UKRAINIAN ENCAUSTIC IN THE MONUMENTAL ARTISTIC CONTEXT OF UKRAINE IN THE 1960s–1980s

  Veronika Zaitseva , Alla Buihasheva , Anatoly Brovchenko

  124-130

  • PDF (Українська)

• PAGES FROM THE HISTORY OF THE CONSTRUCTION AND RESTORATION OF THE CHURCH OF THE NATIVITY OF THE VIRGIN OF THE ARCHITECTURAL COMPLEX OF THE DISTANT CAVES OF THE KYIV-PECHERSK LAVRA

  Viktoriia Zaitseva

  131-138

  • PDF (Українська)

• IDENTITY OF THE MOTIVATIONAL MOBILE APPLICATION “TTOG”

  Polina Turkotenko, Yuriy Volgin , Viktor Karpov

  139-149

  • PDF (Українська)

• REPRESENTATION OF FOLK TRADITIONS IN UKRAINIAN ART OF THE SECOND HALF OF THE 20TH CENTURY

  Olena Kyrychenko , Larisa Garbuzenko

  150-156

  • PDF (Українська)

• MORPHOGENESIS IN FURNITURE DESIGN

  Igor Kovtun, Svitlana Petrashchuk

  157-163

  • PDF (Українська)

• THE “ZOLOTY VOROTA” METRO STATION AS A VISUAL REPRESENTATION OF HISTORICAL MEMORY IN URBAN SPACE

  Vitalii Kozinchuk , Valeriia Melik-Shakhnazarova

  164-168

  • PDF (Українська)

• ETHNODESIGN IN THE DIGITAL ERA: INNOVATIVE TECHNOLOGIES IN COMPUTER GRAPHICS AND VISUAL COMMUNICATIONS

  Nataliia Kolesnyk

  169-175

  • PDF (Українська)

• THE PICTURESQUE WORLD OF VLODYMYR RADKO'S STILL LIFES: FROM ACADEMY TO AVANTGARDE

  Lyudmila Korzh-Radko , Kateryna Radko

  176-185

  • PDF (Українська)

• TOOLS AND PRINCIPLES OF FORMING THE VISUAL IDENTITY OF CONTEMPORARY CULTURAL PROJECTS

  Ihor Коstenko , Viktoriia Oliynick

  186-191

  • PDF (Українська)

• THE JEWISH CEMETERY IN SATANIV IN THE CONTEXT OF VISUAL CULTURE: INFLUENCES OF MIDDLE EASTERN ART IN THE DECORATIVE ORNAMENTATION OF MATZEVOT

  Nataliya Levkovych, Yuliia Babunych , Uliana Shcheviova

  192-199

  • PDF (Українська)

• MUSIC LABEL'S BRAND DESIGN AS A TOOL FOR VISUAL COMMUNICATION IN THE DIGITAL MUSIC ENVIRONMENT (THE CASE OF THE DM.MEDIA BRAND)

  Olena Lykholat , Hanna Myronova , Tetiana Ovdiichuk

  200-211

  • PDF (Українська)

• TRANSFORMING VISUAL ARTS EDUCATION FOR FUTURE DESIGNERS: A PERSONALIZED LEARNING APPROACH

  Svitlana Lopukhova

  212-219

  • PDF (Українська)

• THE ANIMALISTIC GENRE IN SCULPTURE: FROM LIFE OBSERVATION TO ARTISTIC IMAGE

  Bohdan Mazur , Oleksii Chepelyk , Tamara Cherniavska

  220-227

  • PDF (Українська)

• GENERATIVE TECHNOLOGIES AS A TOOL FOR FORMING THE VISUAL LANGUAGE OF CONTEMPORARY GRAPHIC DESIGN

  Volodymyr Morozov

  228-236

  • PDF (Українська)

• RESTORATION OF THE CANVAS ICON “HOLY TRINITY”: ICONOGRAPHY AND PAINTING

  Marta Muravets

  237-241

  • PDF (Українська)

• DESIGN OF THE UNREAL: ARTISTIC MORPHOLOGY AND METHODS OF IMAGE TRANSFORMATION IN MASS SURREALISTIC GRAPHICS

  Yuryi Odrobinsky , Оlena Tryhub

  242-250

  • PDF (Українська)

• THE ARTISTIC PHENOMENON OF IVAN VASILEVICH FIZER: SEMANTIC DOMINANTS AND ARTISTIC IDENTITY

  Viktor Oleksenko , Viktor Afonin , Ivan Bondar

  251-258

  • PDF (Українська)

• VISUALIZATION OF EMOTIONAL STATE IN CONTEMPORARY FINE ART: ARTISTIC TECHNIQUES AND TOOLS

  Oleksandra Panfilova , Kateryna Petrenko

  259-267

  • PDF (Українська)