No. 4 (2025): Ukrainian Art Discourse

Статті

• UNITY OF VERBAL AND VISUAL INFORMATION IN THE DESIGN OF PRINTED PUBLICATIONS

  Oleksandra Babkinа, Maiya Babkinа

  8-16

  • PDF (Українська)

• ARTBOOK AS A TOOL FOR PRESERVING AND POPULARIZING LOCAL CULTURAL HERITAGE (ON THE EXAMPLE OF THE PROJECT "PROSKURIV. DAYS AND NIGHTS")

  Anastasiia Bielikova, Oksana Zdor, Olena Lykholat

  17-32

  • PDF (Українська)

• SUSTAINABLE DEVELOPMENT AS A MAIN COMPONENT OF REGENERATIVE DESIGN IN THE FORMATION OF TEMPORARY ARCHITECTURE OBJECTS (USING THE EXAMPLE OF THE DESIGN OF CHINESE TEMPORARY BAMBOO PAVILIONS)

  Han Wang, Svitlana Kryvuts

  33-39

  • PDF (Українська)

• BANKNOTE DESIGN: SECURITY LEVELS, ERGONOMICS OF USE, VISUAL SYSTEM

  Dmytro Hrynko

  40-48

  • PDF (Українська)

• MANIFESTATIONS OF THE CHINOISERIE STYLE IN THE DECORATION OF THE SAMCHYKY ENSEMBLE IN THE KHMELNYTSKYI REGION

  Nataliia Dmytrenko

  49-57

  • PDF (Українська)

• IMMERSIVE EXHIBITIONS AS A SPACE OF INNOVATION IN THE FIELD OF MULTIMEDIA DESIGN IN UKRAINE

  Marharyta Ivanova, Yuliia Sylenko

  58-67

  • PDF (Українська)

• ORNAMENTAL MOTIFS, COMPOSITION AND TECHNOLOGICAL FEATURES IN THE FOLK WOODCARVING ARTWORKS OF SHKIBLIAK-KORPANIUK’S ARTISAN DYNASTY

  Yurii Korpaniuk

  68-76

  • PDF (Українська)

• ISSUES OF AUTHENTICITY AND COMPREHENSIVE PRESERVATION OF DECORATIVE ELEMENTS OF BUILDINGS IN THE RESTORATION OF ARCHITECTURAL MONUMENTS

  Andrii Levytskyi

  77-84

  • PDF (Українська)

• CHARACTERISTICS OF WORKING ON THE OUTDOOR LANDSCAPE IN PAINTING

  Vladyslav Lytvynenko, Viktor Trachuk, Antoninа Sherstinyuk

  85-96

  • PDF (Українська)

• TYPOLOGY OF HAND-MADE TOOLS IN CONTEMPORARY GRAPHIC DESIGN: APPROACHES, MATERIALS, TECHNIQUES

  Ivanna Pervykh

  97-105

  • PDF (Українська)

• THE HISTORY OF ART HISTORY OF THE XXI CENTURY: BASIC CONCEPTS AND APPROACHES TO DEVELOPMENT

  Oksana Piddubna, Hlib Kunytsia, Oksana Havrosh

  106-113

  • PDF (Українська)

• ASPECTS OF HUMAN ENVIRONMENT DESIGN IN UNIVERSITY BUILDINGS OF KYIV (1970–1991) AND THEIR ACCESSIBILITY FOR PEOPLE WITH LIMITED MOBILITY

  Iliia Rastvorov

  114-123

  • PDF (Українська)

• METAMODERNISM IN UKRAINIAN GRAPHIC DESIGN (ON THE EXAMPLE OF CORPORATE IDENTITY)

  Nadiia Sbitnieva

  124-132

  • PDF (Українська)

• PARTICIPATORY ART AND INSTITUTIONAL CRITIQUE: POINTS OF INTERSECTION AND PROBLEMS OF INTERACTION

  Borys Sorokin

  133-138

  • PDF (Українська)

• THEORETICAL AND METHODOLOGICAL FOUNDATIONS FOR THE ANALYSIS OF THE VISUAL LANGUAGE OF WARTIME POSTERS

  Andrii Strus

  139-148

  • PDF (Українська)

• ART PRACTICES AS A FACTOR OF ADAPTATION AND RECOVERY OF DEFENDERS (ON THE EXAMPLE OF IVANO-FRANKIVSK)

  Iryna Chmelyk

  149-157

  • PDF (Українська)

• VARIETIES OF FORMS OF FINE CERAMIC POTTERIES OF UKRAINE IN THE 19TH – EARLY 20TH CENTURIES

  Olga Shkolna, Natalia Poltavets, Volodymyr Sytnyk

  158-169

  • PDF (Українська)

• ASSOCIATIVE AND RECONSTRUCTIVE PHOTOGRAPHY OF MANNEQUINS AS A FORM OF PHOTOTHERAPY IN THE REHABILITATION OF VICTIMS OF COMBAT PSYCHOLOGICAL TRAUMA

  Tetiana Yurova

  170-180

  • PDF (Українська)